Tel Aviv Museum
March 5, 2011 – June 4, 2011
Curator: Ellen Ginton
Co-Curator: Anat Sivan Danon
In the beginning, the collapse. And not just any collapse. Because what collapses is no less than a cathedral, or, to be accurate—the dome of the St. James Cathedral in Seattle, on February 2, 1916. It caved in under the massive weight of snow which had accumulated on it. There is a photograph to attest to that. What meaning may be ascribed to the collapse of a cathedral's dome? This collapse, imprinted in the beginning, may readily serve as a point of departure for contemplation of nature's neutral, unconscious might, capable of annulling human creation. It may also open a door to contemplation of the haughtiness, arrogance, not to say futility of human—too human—intention to force and establish man's presence and will in the world's stream of time and history.
Installation view
350 x 850 x 1100 cm
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
Installation view
350 x 850 x 1100 cm
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
Detail (moon)
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
Detail (hand)
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
Detail
Detail
Detail (section b)
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
Upper view
Detail (section a)
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
Upper view
Detail
Detail
Detail (ceiling drawing)
Detail (ship)
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
Photo by Elad Sarig (studio lighting)
Detail
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
Photo by Elad Sarig (studio lighting)
Detail (During the installation)
Paraffin and ink
Detail (During the installation)
Paraffin and ink
Detail (During the installation)
Copper, tar and acid
Moon (dome)
Digital sketch
Preperation drawings
2009 - 2011
Preperation drawings
2009 - 2011
Image:
St. James Cathedral dome collapse, February 1916 (unknown photographer)
The dome collapsed February 2, 1916 after a heavy snowfall
During the installation
350 x 850 x 1100 cm
Plaster, paraffin, tar, ink, glass, rubber, hooks, wires, different metals, acid and fishbones
2011
STOP THE BLOODSHED
STOP THE BLOODSHED
STOP THE BLOODSHED
STOP THE BLOODSHED
STOP THE BLOODSHED